La tradition des Beaux-Arts
Publié le 30 Mars 2015
In the late 19th century, many French and foreign women painters worked as professional artists in Paris and exhibited at the Salon, the annual show of contemporary art. Unlike their male colleagues, they had to cope with various prejudices, especially the accusation of dilettantism, and these influenced their stylistic choices. On the other hand, their personal writings (letters, memoirs, diaries) emphasize the true modernity of their lives and their way of thinking.
René Xavier Prinet entouré de ses élèves et du modèle aux Beaux-arts de Paris, vers 1929-1931. Professeur à l'Ecole nationale des Beaux-arts, il y crée et dirige le premier atelier de femmes.
Marc VERAT Art contemporain et institutions
sommaire art contemporain et institutions, polémiques et critiques